Having won four British Comedy Awards, two Baftas and a South Bank Show award, James Corden’s comedy drama Gavin and Stacey is one of the BBC’s most well-received comedies of..

You can always judge a film (well, nominally, at any rate) by the quality of its source material. Cherishing our cynicism as we do at BestForFilm, a film based on a line of chunky, over-muscled action figures doesn’t exactly have us pre-booking our tickets. As it turns out, our cynicism is – once again – justified.

The latest in a steady stream of ‘bromance’ comedies that have been infiltrating the cinema since Anchorman and Knocked Up were surprise hits, you know what you’re in for when you go to rent this film from your local Blockbuster. That said, this film was a box office triumph when it hit cinemas as word spread it was a cut above most frat-boy comedies. But after all the hype, upon finally viewing this film we were underwhelmed.

If ‘kidult’ films are the latest trend in Hollywood, Where the Wild Things Are would be at a Kate Moss level of cool, as the hype surrounding it demonstrates. But this is one movie that lives up to its press – the sumptuous visuals, amazing costumes and edgy soundtrack create an amazing and unique cinematic experience. There’s not as much in it for the kids as some parents might like, but the lack of family-friendly formulaic storytelling is also what makes it great.

This seems to be the season for films with just one good idea. Last week The Box stunned us with it’s complete failure to follow through on an interesting premise,..

Say what you like about the state of British film at the moment, there’s one thing that us plucky Brits do that makes the envy of the world, and that’s our TV comedy. From Monty Python to The Office, our self-deprecating humour has been shipped out, remade, lauded and appropriated everywhere from the Americas to the Antipodes. And one of the standout comedies of the last few years, courtesy of those marvellous chaps at E4, was Damon Beesley and Iain Morris’s sixth form anguish-a-thon The Inbetweeners.

There was once a time when Sandra Bullock reigned supreme over the romantic comedy, but that time, as this film demonstrates, is well and truly over. This new ridiculous outing sees Bullock’s pushy book editor force her put-upon assistant to marry her to avoid deportation, and naturally (yet inexplicably) romance ensues. Even if you can put aside the formulaic stupidity, the chemistry between Reynolds and Bullock is about as poor as it gets. One to avoid unless you’re desperate.

So it’s two years since the evil Megatron’s death, and Optimus Prime, the other Autobots and the significantly less exciting humans have been going about their business as usual. What could disturb this harmonious bliss? Why, the discovery of a Transformer so bloomin’ evil he makes Megatron look like a Bosch iron. The Fallen – the lost brother of the Transformers – is preparing for battle on Earth And believe us, his battle is extremely explodey.

It’s been left up to Disney to challenge our hackneyed beliefs by presenting us with a bunch of spies that take the form of… wait for it, you’ll love it… Guinea pigs! Yeah, those infanticidal, hooting, air-sniffing pigs. As spies. It’s a one-note joke that’s taken to the extreme – Pixar would’ve made an idea like that into a witty ten minute short. Here, it’s 90 minutes long, and generally one ninth as entertaining, too.

Originally broadcast as a TV special on NBC in the states, Merry Madagascar is about as shameless as it gets in the long line of trying to cash in on Christmas. It seems clear that some exec, sitting in an artfully underfurnished office somewhere in Los Angeles, simply looked at a balance sheet and saw that Madagascar 2: Escape to Africa had done quite well.