Confirming that the only person in the world capable of loving Jaden Smith is his own father, After Earth makes a mockery of the sci-fi genre. Predictable, boring and occasionally unintelligible, M. Night Shyamalan has once again made a rather large misstep in his career. Whatever talent he may have once had cannot be seen in After Earth, not in the story, the photography or the direction. In a year replete with big-budget sci-fi like Oblivion, Elysium and Star Trek Into Darkness, After Earth has the Best For Film Official Guarantee to be the worst of them all.
With M. Night Shyamalan’s latest film After Earth about to hit UK cinemas, we at Best For Film ask “How does this guy keep getting work? I mean seriously?” Like all rhetorical questions, this one has no answer, or if it does, quiet you, we want to ramble on for an entire blog post first. Let’s take a look back at M. Night’s distinguished career to truly decide once and for all if anyone should give this guy a camera ever again. What a twist!