Kill Your Darlings is about Allen Ginsberg. Don’t be put off if you’re bored by films about him! Furore around the picture relates to Daniel Radcliffe’s performance and a brief interlude of gay sex. Yes, Ginsberg is renowned for being gay – so what? To write this film off as simply a coming-out-romance would do…
I don’t know much about Terrence Malick. But then again, I don’t know much about Alfred Hitchcock either, and it doesn’t stop me knowing that Disturbia is a rip-off of Rear Window. As literally every other critic on earth has noted, Ain’t Them Bodies Saints appears to be a homage to Malick’s love of trackless…
Continuing our mission to catalogue the top 5 films in every single genre for the last thousand years in every single reality of the multiverse (our favourite is the universe where every person looks like Ellen Page), we at Best For Film have chose our top 5 sci-fi films from waaay back in 2012. Want to talk about your favourite five romantic comedy films of 1997, or the top dramas of 2006? Get in touch at firstname.lastname@example.org now!
Best For Film’s Favourite Flicks returns, and this week it’s safely in the hands of bona fide writer – seriously, she did a radio play and everything – Florence Vincent. What are you going to go for, Flo? Which bastion of classic cinema reigns supreme within your heart? Citizen Kane? Vertigo? What’s that – something more recent? How about Taxi Driver? Sátántangó? Requiem for a Dream? Oh, it’s a not-quite-nineties teen film with the Thong Song guy in it. Obviously.
OH LOOK, it’s another European action film that’s been needlessly rehashed into a big-budget American dross rocket. Hurrah! Mark Wahlberg plays Smuggler Who No Longer Smuggles; guess what he’s going to do? That’s right! He’s going to punch and grumble his way through two hours of your life, which you will NEVER get back.
Ben Foster is John Travolta’s son. Who knew?
The Mechanic is a remake of the slovenly ‘72 film starring Charles Bronson as a conflicted assassin. Substitute the unflappable Bronson for a wooden Jason Statham, add a Louisiana setting and blues soundtrack, and you have a Statham vehicle whose only redeeming value is the wonderful Ben Foster.