Rupert Sanders gives us an exceedingly grim Grimm universe in this LOTR-inspired fairytale; his sweeping landscapes and sumptuous visuals almost making up for the fact that his source material never comes close to the richness of Tolkien. The tale may be problematic and the characters laughably thin, but there’s no denying that this directorial debut almost wins you over with blazing ambition alone.
If you’re walking into this film expecting Alien: 2012 think again. Prometheus is a grandiose but significantly flawed film; underpinned by a vastly ambitious concept that is, in many ways, its undoing. Featuring a stellar central performance from Michael Fassbender and built upon some stunning, imaginative visuals, Prometheus nonetheless manages to feel bloated, confused and – dare I say it – even a little naff at times. But its unusual, heartfelt approach – there is no doubt that this was a labour of love for Ridley Scott – and attempts at tackling some of the universal questions make it uncommon viewing.
Everybody in them looks worried. Join us as we try to figure out what this could mean…
Kristen Stewart looks pale. Charlize Theron looks evil. You get the idea…
HAMMER (not Armie. That’s the other one)
Epilepsy warning: For some reason, this trailer appears to have been edited using a strobe light. It may look cool, but it could kill you.
It looks like John Carter is going to fall fast and land hard at the box office. Costing a cool $250 mill’ to make, based on a cherised collection of sci-fi novels, featuring the most sophisticated CGI Disney could afford and being the live action debut of director Andrew Stanton (Finding Nemo, Wall-E plus writing credits on the Toy Story trilogy), John Carter looked like a shoe-in to be one of the year’s toppermost earners. Right now it looks like breaking even worldwide would be a hopeful return. Which got us thinking….
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