Just when you thought being married to Uma Thurman was stress enough for poor Ethan Hawke, he moves to Paris and gets involved with a vampy older woman who may or may not be real. That’ll teach him to have a silly name, eh? The Woman in the Fifth is a fascinating tale which will lead you into a completely new world and do its level best to leave you there.
IT’S WRITTEN BY THE MUPPET PEOPLE
How do you know what you’re going to see at the cinema next month? You’re busy people – Facebook won’t update itself, and you’ve probably got a relationship to neglect or something. Oh, you haven’t? Sorry. Well, there’s no point in trying to meet another human adult now, you may as well just read this blog.
What is it that makes Colin Firth, Helen Mirren and Judi Dench so good at playing our monarchs of old? Is it maturity, is it talent or is it just that they all have a crown fetish? From the Sixteenth Century up to the present day, many actors have tried to play royalty, and few have succeeded. Those that have are celebrated here.
Ah, Valentine’s Day. Apart from very new couples who are still overdosing on saccharine, there really isn’t a single adult human – taken or unattached – who enjoys its enforced affection and awkward present-buying. Of course, the torture is worse if you know you’re planning to ditch your other half but still have to lavish them with contrived pseudo-love – and that’s where we come in…
When will Jack Black stop playing lovable slackers who inexplicably bust out at least one musical number per film? Gulliver’s Travels is pretty much exactly what you’re expecting it to be – adequate, and absolutely nothing more. Excellent visual effects and some well-crafted supporting performances save it from total failure, but all this film really manages is to remind you that in Hollywood, as in Lilliput, bigger isn’t always better.