Has George produced a floater or a sinker?
This week saw the first teaser trailer for the last instalment of Christopher Nolan’s Batman trilogy, The Dark Knight Rises, and we here at Best For Film were…well, there was a feeling that we’d seen it all before. The gloomy Gotham-scape, mumbled dialogue, lots of shadows and buildings and shiny digital compositions. It’s slick, and it’ll probably turn out to be a good end to a so-far great trilogy, but a tiny part of us was thinking: “It’s not as good as Memento, is it?”. Still, Nolan isn’t the first indie director to be lured in by the lights and financial muscle of Hollywood, as this handy list will attest to.
This summer, you can hardly move for superhero films – and Green Lantern aside, we’ve seen most of the stars before. All the classic heroes have had a fair few outings with different faces by now, and if there’s one thing we hate about competition it’s not knowing who’s the WINNER. Feel like arbitrarily deciding whether Michael Keaton’s better at being grumpy than Christian Bale? Good.
Recessions are rubbish, that’s pretty much a given. However, there is one distinct upside to the spectacular financial crash which has bankrupted and disenfranchised millions in the last four years; some really bloody good films have come out of it. We’ve had Up in the Air, Inside Job – and now The Company Men, which will make you empathise with a hugely well-paid executive more than you would have thought possible.