Sometimes, it’s not enough to be a talented filmmaker. You don’t want to be making adventure films with a name like Spector Whussypants, and in that logic (however flimsy it is), you wouldn’t make a horror film with a non-scary name. In fact, sometimes, the scariest thing about a horror film is the name of the filmmaker. Hold on to your butt, because here are the top 10 horror directors’ names.
Psychoanalysis has been tormenting society with its uncomfortable conclusions about your mum for the last century. It has had a huge influence on film, giving filmmakers the opportunity to explore the dark dank recesses of the human psyche while still entertaining with vague references to “penis envy” and “momma’s boy”. We here at Best For Film have dedicated our lives to reducing entire film genres, movements and occasionally random objects (like glasses, or zoos) into easy-to-read lists, and as such we have launched a new blog series, starting with this one: Psychoanalysis in 10 Easy Films.
Dark Skies tells the story of a run-of-the-mill suburban American family with run-of-the-mill suburban American family problems – like having to share their home with a bunch of aliens. And, as if things weren’t bad enough, these are some of the MOST RUBBISH, CLICHED ALIENS EVER. Don’t believe us? Give it a watch and compare them to the Best For Film’s Top Ten Best Aliens and see for yourself.
Another week, another favourite film, another bloodthirsty alien rampaging through an Antarctic research site. Wait, what? Alex Mullane is armed with a flamethrower, a bit of wire and a bloody great beard, and he’s here to defend the both impeccable taste of the BFF crew and his favourite film – John Carpenter’s The Thing. Obviously, spoilers will abound.
Cats the world over breathe a sigh of relief as Curiosity lands on Mars. What will the NASA rover tell us? What will it find? Dust? Martians? The tattered remains of John Carpenter’s dignity? We humans had a real thing for the fourth rock from the Sun in the late 90s, ushering in a host of dreadful films about Mars whose Wikipedia blurbs end with ‘a critical and commercial failure’.
A prequel to John Carpenter’s 1982 remake of 1951’s The Thing from Another World, The Thing should by all reasoning have been even more offensive than the thing you last picked from the sole of your shoe. In actual fact, Matthijs van Heijningen Jr’s film is an uninspired but grotesquely effective prelude to a genre classic. Or something.
Ewww…. Ahhhh…. Eeeesh… That doesn’t go there! Let’s be honest: you don’t want to read this article and we’re really sorry we wrote it. Mildly NSFW, and seriously NSFSanity.