Rom-coms don’t get a great rep these days do they? Understandably, we like it when a good one comes along. Be prepared for your fondness for Emma Stone to turn into full-fledged obsession. Girls want to be her, boys want to take her home, have a chat, and then ask her tentatively to be their girlfriend.
Steve Carell’s face also features
Once upon a time there was porn – good, ole’ fashioned, plotless porn that seemed destined to forever roam the private nether-regions of the entertainment industry alone. But smut desperately desired to be taken seriously, and Hollywood needed a harder…edge. It took one dexterous stroke of genius to bring the two concepts to simultaneous, mainstream fruition, and it wasn’t Sheen the Machine, nor was it one night misspent in Paris, but instead the reflexively novel idea of making films about (porno) films…
As the 54th BFI London Film Festival draws to a close, we had the pleasure of escaping into the Californian sunshine for two hours of a dreary Monday morning – only to discover that there’s just as much heartache sloshing around LA as there is here at Best For Film Towers. We might, in fact, even have less, because none of us were conceived through sperm donation and brought up by Annette Bening and Julianne Moore. Relatively unexperienced directrice Lisa Cholodenko presents a well-balanced and decidedly grownup drama which also manages to be deliciously funny.
This Sunday, Colin Firth was awarded the Best Actor Bafta for A Single Man in a blaze of long overdue glory. Though he didn’t manage to clinch the Oscar, based on the performance his gives in this stunning, subtle, and achingly lovely film we reckon he deserved it.
Kevin Bacon has signed up to play the lover of an adulterous wife in an as-yet-untitled comedy. Written by Dan Fogelman and helmed by I Love You Phillip Morris directors John Requa and Glenn Ficarra, the new comedy will star the always-hilarious Steve Carell as a lovable loser married to cheating wife Julianne Moore.
Director Atom Egoyan probes the destructive power of obsession in this English language adaptation of Anne Fontaine’s 2003 film, Nathalie. Shot on location in wintry Toronto, which is almost as cold as some of the characters’ emotions, Chloe charts the journey of sexual re-discovery of a despairing wife whose marriage has been stuck in a rut for years. The method she chooses to reinvigorate her ailing relationship is unorthodox to say the least, unlocking deep-rooted desires that put not only herself but also her entire family in danger.