“Fantastic by name, fantastic by nature.” This is the tagline used on the Fantastic Mr. Fox posters currently lining every tube station for the film’s opening week. Much has been made of the remake of Roald Dahl’s much-loved children’s book, with indie director Wes Anderson, of Royal Tenenbaums fame, at the helm. If anyone could recreate Dahl’s bizarre, fantastic literary flight of fancy, he could (exhibit A, The Darjeeling Limited).

All it took was one weedy little wizard-nerd to make children’s book adaptations the new Hollywood holy grail. Suddenly, studios are scrambling over each other in their quest to create the coolest, most visually stunning, and (most importantly) highest-grossing new book-turned-film. But is this new trend really making kids the kings of the big screen? Or is it just creating a bunch of overly-thought-out tat that’s too advanced for kids, too weird for adults?