Do you remember that bit in The Woman in Black where Daniel Radcliffe inches his way along a darkened corridor, holding onto an axe and kerosene light for dearest life? Well, Silent House is that scene, only spliced to a hundred more like it. Whether you have seen the original film or not, this is one of the most effective frighteners you will see this year, elevated by a fantastic central performance and a gimmick that essentially serves the traditional found footage format its marching orders. It’s just a shame about the ending.