World War Z was plagued from the first day of production with hasty reshoots, the lack of an ending and the need to fly in Damon Lindelof for emergency rewrites. When you need to hire Lindelof to tidy up your screenplay, you know something’s gone wrong. Imagine our surprise then, when World War Z proved to be not only coherent but actively enjoyable. It has no where near the scope of the Max Brooks book, and is tonally uneven, but for a CGI-driven action film World War Z is above par. Prepare for your bottom to be firmly clenched.
J.J. Abrams’ vision of the classic space-faring franchise continues to dominate the increasingly-crowded sci-fi genre. After the successful reboot in 2009, the tricky follow-up of Star Trek Into Darkness had a lot to live up to; not only its predecessor, but the much beloved original series. It’s the loudest, fastest, shiniest, most slick, most beautiful and yes, most entertaining Star Trek to date, but this does come at a cost of the introspection and consideration that was previously associated with the series. That being said, Star Trek Into Darkness is a brilliant blockbuster – just expect it to be closer to Transformers than to Wrath of Khan.
Sequel plans may never come to be.
Mr T was born in 1952! But this film probably won’t be about that