Confirming that the only person in the world capable of loving Jaden Smith is his own father, After Earth makes a mockery of the sci-fi genre. Predictable, boring and occasionally unintelligible, M. Night Shyamalan has once again made a rather large misstep in his career. Whatever talent he may have once had cannot be seen in After Earth, not in the story, the photography or the direction. In a year replete with big-budget sci-fi like Oblivion, Elysium and Star Trek Into Darkness, After Earth has the Best For Film Official Guarantee to be the worst of them all.