Of the 598 French directors listed on Wikipedia, Jean-Pierre Jeunet is one of the few you’re more or less guaranteed to have heard of – you might not have bothered with Delicatessen, but everyone remembers that nice film with the orgasm sequence and the girl from The Da Vinci Code, don’t they? If that’s as much as you know then it’s time to fill in the gaps, and if you’re thinking “what orgasm sequence?” then there’s no time to lose – get Cheat Sheeting.

Micmacs, or to give it its full French title, Micmacs à tire-larigot, is the sixth feature from French auteur Jean-Pierre Jeunet. A comic tale of revenge and the joy of personal expression, it’s a film that sits admirably alongside Jeunet’s previous iconoclastic offerings Amélie and Delicatessen. Fans of Jeunet will enjoy immersing themselves in the director’s trademark visual style and quirkiness while newcomers will come away hungry to check out more of his work.

Michel Hazanavicius’ sequel to the French hit Nest of Spies, OSS 117: Lost in Rio is a lame, laugh-free excuse for satire. Taking its cue from offensive stereotyping and an inability to decide if it’s screwball or satire, Jean Dujarin’s secret agent neither tickles your funny bone or provides action-based thrills.