Oscar nominee Jennifer Lawrence just LOVES working with David O Russell, doesn’t she?

The Nutmeggers are pissed with Spielburg. But who are they and why are they angry?

I’m sorry, Dave, I can’t let you do that.

Does the website you’re reading actually exist? OR IS IT ALL CGI?

His name’s Wally Pfister. We so, so hope that’s a silent P.

Chronically humourless Oscars bosses worried about Cohen’s planned red carpet stunt.

A tacky manipulative offence? A cynical piece of emotional hack work? A shockingly brazen attempt at cashing in on 2996 dead Americans? If only it was that interesting. Extremely Loud and Incredibly Close is most remarkable for how utterly unengaging it manages to be.

Uncalled for reissue of lengthy, vanilla flavoured telling of Cinderella, most famous for being mocked as David Frost’s pet project in Frost/ Nixon. Nice outfits, all the same.

The first silent film to win an award in ninety years is doing more than that – it’s sweeping the board at every ceremony going. But will The Artist‘s unprecedented success herald a new trend of homages to the silent films which continue to shape modern pop culture? Nicola Marchant finds out more…

THEY’RE HERE! The nominations for the 84th Academy Awards have been released, and as we predicted The Artist has basically bagsied all the categories like a fat greedy child in a tuckshop. Standard.