Clint Eastwood is a man whose name you should know. Even if he occasionally has no name. He is a bona fide, genuine legend of the big screen. And he has 12 different Wikipedia pages. Trouble with the Curve, released on Friday, resurrects Eastwood’s now traditional persona of grizzly-pensioner-with-hidden-depths in his first acting role in a film he hasn’t directed since 1993. Growl.
The world of film is awash with Marmite topics – actors, genres or even cinematic styles which make some movie-goers dampen their plush seats and others tear the stuffing from the punter in front. In our J’accuse series, two of Best For Film’s writers go head-to-head and debate a controversial aspect of cinema. This time round it’s the worst nightmare of every indie Japanese director – the Hollywood remake.