Following Tony Manero and Post Mortem, No forms the final chapter in Chilean director Pablo Larrain’s trilogy of films woven through Augusto Pinochet’s 17-year reign. Appropriately, it details the final moment of the dictatorship when the 1988 referendum yielded a victory for the opposition, and signalled the end of nearly two decades of oppression and violence. Telling the story from within the opposition, Larrain wryly addresses the fickle nature of politics via the hugely popular ‘No’ campaign, fought with slick advertising and broad appeal.