We’re at the point now where, to a certain extent, we know what to expect from Wes Anderson. A charming screenplay, delightful production design, exquisitely composed cinamatography, and a barrel of actors we all wish we could take out for gin. The Grand Budapest Hotel delivers on all counts, as we knew it would, but…
Notorious for scandalising even the French, Baise-Moi fought extremely hard against the label of ‘pornography’ given to it by the certification board. Boasting “prolonged sex scenes of an extremely explicit nature and scenes of graphic violence” and continued bans in many countries, this low-budget sexploitation is known more for its reputation rather than its content. All controversy aside, Baise-Moi is an midly enjoyable, if uneven, feminist punk fantasy.
Albert Brooks and Ellen DeGeneres will be back as the voices of Marlin and Dory in Finding Nemo 2.
Gender bending is one of the lost arts. There was a period in the 90s when you couldn’t move in Hollywood for transvestism. It sort of became the default mode for any comedic scene. Chuck in a corset and a couple of fake boobs and BAM! You’ve got cinema gold. Although the subject of emotional turmoil, sexual identity and gender reassignment has been covered sensitively and dramaticly by some amazing films, you’re not going to find The Crying Game on this list. No, we’ve cobbled together our favourite horrifying gender bending scenes from film. Get out the fishnet stockings, folks!
Willem Dafoe is on rare form with this intensely atmospheric thriller set in the trackless Tasmanian mountains. But can the rest of the film live up to his performance? An aesthetic masterpiece with a commanding central character, The Hunter is nevertheless a little too diffuse to truly captivate.
Taylor Kitsch bounces around a not-so-distant planet as one of the most ordinarily-named sci-fi heroes ever. It’s a fun film, but it probably would’ve done better on its opening weekend with a more revealing title, like ‘The Martian Messiah,’ or something.
The third film in the Harold & Kumar franchise is – as expected – a mad, offensive, gross-out, hilarious piece of festive tat, sending up pretty much everything it can get its mucky paws on. It’s perhaps not as funny and boundary-pushing as the first two films, but its soft, creamy centre and winning performances from its leads make it impossible not to enjoy.
Snipe London
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