Neil Jordan’s newest offering is a blood-soaked, barmy tour de force, anchored firmly by its two leads, Gemma Arterton and Saoirse Ronan. There are definite strains of Jordan’s previous foray into the genre present here, but where Interview with A Vampire was all about male power play, Byzantium is concerned with the struggle of women in a world where men will constantly seek to drag them down. Beautifully filmed, and bolstered by its generally strong cast and a couple of suitably flamboyant touches, Byzantium is – despite belonging to a seriously over saturated genre – a vampire film that you can actually sink your teeth into.

Film is undoubtedly the art form that speaks to us the most here at Best For Film but there is one other that surpasses it. Music. Music is awesome. The right song can take your mood from FML to LMAO. The right song can mend your broken heart. The right music can cure a terminal disease. Ok, that last part was a little much but you get the drift. So, you can imagine how excited we get when music and film become one. Here follows a list of our favourite uses of music in film.