Savages is curious, in that it’s not the sort of film you might associate with the often solemn, politicised pictures of Oliver Stone. In contrast, this is a lively, breezy crime-thriller, buoyed by a sunny tone, some very dark humour, and – a few bland leads aside – some very memorable characters.

At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week we’re taking a trip down Suicide Lane with Goran Dukic’s unconventional rom-com Wristcutters: A Love Story.