Psychoanalysis has been tormenting society with its uncomfortable conclusions about your mum for the last century. It has had a huge influence on film, giving filmmakers the opportunity to explore the dark dank recesses of the human psyche while still entertaining with vague references to “penis envy” and “momma’s boy”. We here at Best For Film have dedicated our lives to reducing entire film genres, movements and occasionally random objects (like glasses, or zoos) into easy-to-read lists, and as such we have launched a new blog series, starting with this one: Psychoanalysis in 10 Easy Films.

Winner of the Palme d’Or for 2012, Amour is a film that truly lives up to its name. Casting aside the fiery passion that most of the rest of cinema is obsessed with, it takes an uncompromising look at a love so deep and enduring that it becomes a prison. Never contrived or manipulative, Amour will wrench something deep inside you and not let go. Bring tissues and bring a lot. You’re going to need every last ply.

Perfect Sense. Melancholia. Extremely Loud And Incredibly Close. They’ve all got one thing in common; they’re all hitting the silver screen in the near future and they’re all going to be completely and utterly soul destroying. Keeping this chic bleakness in mind, we’re decided to check out the 10 most depressing films ever made…