A genuinely disturbing, if slightly hokey psychological horror from the new iFeatures digital filmmaking scheme, In The Dark Half beats the odds predicted by its micro-budget to produce a sensitive and finely detailed exploration of a particularly toxic grief, the claustrophobia of small-town life and the sheer scope of the power of denial.

While this isn’t the first adaptation of Hergé’s comic book creation to grace the big screen, it is the first time that Tintin has appeared since 1972 and the first time he ‘s been presented to such a general audience. With Steven Spielberg on top form, and a story which picks liberally from three of the series’ most popular books, the result is quite simply one of the best blistering blue blockbusters of the year.