Riddled with more polished, well-executed and genuinely laugh-out-loud comedic moments than many of its contemporary predecessors, as a showcase for veteran funnymen Ben Stiller, Vince Vaughn and Jonah Hill, The Watch is ideal. However, by trying to force square emotional pegs in round comic holes, The Watch suffers under the pressure to prove its legitimacy by incorporating a “depth” which is both unnecessary and poorly-executed.

Why aren’t we famous enough to not need first names?