Sometimes, you find out something about a film after you’ve seen it that totally rocks your perception of it. Like watching 1995 supernatural-tween fantasy Powder and then finding out that the director molested a 12 year old boy. Or learning that the protagonist family in The Impossible weren’t actually rich Americans in real life. Blue…

I don’t know much about Terrence Malick. But then again, I don’t know much about Alfred Hitchcock either, and it doesn’t stop me knowing that Disturbia is a rip-off of Rear Window. As literally every other critic on earth has noted, Ain’t Them Bodies Saints appears to be a homage to Malick’s love of trackless…