To celebrate the upcoming release of Hansel and Gretel: Witch Hunters, complete with Jeremy Renner and Gemma Arterton as a ridiculously attractive (and probably incestuous) witch-busting brother and sister duo, we’ve decided to take a look at the top 10 fairytales which DESERVE to be made into films. For the good of all of us…
Blackbeard trades his tricorn for a crown.
It’s going to be a rom-com. That might be a lie. Tim Burton has today announced that his next project will be a stop-motion picture of The Addams Family. Kooky, creepy, dark and gothic fairytale? Tim, are you sure you want to stretch yourself this far?
Love blossoms when a father least expects in Neil Jordan’s modern day fairytale. Blessed with pretty shots of the Irish coast and a close-knit fishing village where everyone pokes their noses into their neighbours’ business, Ondine is a picture postcard to the Emerald Isle. British audiences who struggle with a thick accent would probably benefit from subtitles when characters chew the fat, so some of Jordan’s script is lost to the Atlantic breeze. In truth, it’s not a great loss because for all the blah blahrney, we learn very little about the protagonists or their passions, and the central romance is rather wet – like the actors after a tumble in the briny.
The Princess And The Frog opened in the US this weekend and has so far made a whopping $24.2 million in 3,434 theaters across the country. The plot has been described as a ‘New Orleans Fairytale’ based on the old Grimm fable of the Frog Princess and showcases Disney’s first African American heroine.
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