Terence Stamp is back, guys. And this time, the highly-revered actor (“I don’t like to do crap [films] unless I haven’t got the rent”) sports a contemptuous scowl and a hard-hearted exterior, playing a grumpy old pensioner learning to cope with his wife’s terminal illness. Song For Marion sees Stamp as you’ve never seen him before; regularly putting on the kettle and for the first time, acknowledging his 70+ age in this heart-warming tale about discovering that it’s never too late to discover who you truly are.

The latest offering from Paul Andrew Williams (known for 2006’s London to Brighton), it would be difficult to describe Cherry Tree Lane as the sort of film anybody would watch for enjoyment. The story of a London couple held hostage in their own home by some seriously disgruntled youths, it is uncomfortable viewing from start to finish; rarely has there been a film that could make you feel more horrified at what is happening onscreen. You won’t want to watch and yet, curiously, this is precisely why you must.