A historical comedy telling of how the vibrator was originally invented for a perceived medical purpose, Hysteria’s story may find its roots in an era less advanced than our own, but with “haven’t we come far” serving essentially as both the film’s plot and its only joke, any sense of modern sophistication soon gets old fast. After all, if the prospect of an overweight Italian lady bursting into operatic song whilst climaxing on a doctor’s table can be billed as the peak of 21st Century hilarity, it seems society still has a long way to go.
He has nothing to declare but his facelift.
*half-hearted joke about the subsequent buzz created*
A British re-make of a black French comedy, Wild Target is a film that, sadly, never quite hits the bullseye. Bill Nighy, Rupert Grint, Rupert Everett, Martin Freeman and Emily Blunt all lent their hands to this crime caper, with a script never quite lives up to the talent around it. Despite its stellar cast and romping pace, the team are let down by bad jokes, sloppy storytelling and cliche characters.
After the surprising success of the first St. Trinian’s reboot in 2007, a sequel was always a risky proposition: it would either surpass the original and cement the franchise as a bona fide modern classic or sully the occasional chuckles of the original and sink the whole thing. We’d like to hope that that seldom-seen beast – the British comedy – isn’t quite dead at the box offices, with only rare examples like Shaun of the Dead hitting the big time. Can St. Trinian’s 2: The Legend of Fritton’s Gold reach the heights of its 1950’s predecessors?
After the surprising success of the first St. Trinian’s reboot in 2007, a sequel was always a risky proposition: will it surpass the original and cement the franchise as a bona fide modern classic or sully the occasional chuckles of the original and sink the whole thing.