In our newest blog series, Best For FIlm’s bravest and least discerning writers plumb the depths of Netflix’s films on demand to find the flicks you definitely never thought you’d read a massive freeform blog about. This week, a film so bad that the critic we sent to see it back in 2011 literally never wrote for us again. It’s real film with real heart. It’s Love’s Kitchen.

October 30th will see the beginning of the 17th UK Jewish Film Festival, an event which has become one of the mainstays of the British cultural calendar. Yesterday we attended the star-studded press launch of this year’s screening schedule, and today we’re pleased to present our Top 10 festival picks. Mazel tov!

We hate it when you wander into a movie expecting one thing from the title and being delivered something else entirely. Remember how disappointed everyone was to discover The Godfather wasn’t a sweet, wholesome family drama? Exactly. Here’s five movies that should have stuck to their literal plots…

Look, I know this is contentious. Bear with me here. I mean, yes, true, there you go with your Schindler’s List and your Shawshank. I see you there, holding up your Psycho and your It’s A Wonderful Life. I see you. I see you, brandishing shiny shiny Oscars like a kid on Sports Day. I see you, and I say unto you: you’re wrong. Chicken Run is the best film ever; here’s why.

Ok, ok, after we’ve all managed to catch our breath after the collective ARRGGHHHing, whether of excitement or despair, caused by the news that JK Rowling’s writing a new wizard thing, and after certain editors have got their rocks sufficiently off by blasting her for having the audacity to further explore her own intellectual property, let’s look at the situation with a little perspective, a phrase which here means “let’s give the girl some credit.” Here are the top ten reasons some of us are, let’s say “cautiously optimistic” about the Newt Scamander Saga.

Thanks to the Prince Charles Cinema, Nipponophile and Studio Ghibli expert Vincent was recently given the chance to watch Kiki’s Delivery Service on the big screen – a full twenty-four years after it first appeared in cinemas. But how does the tale of one tiny witch and her chatty cat stand up to a repeat viewing? Pretty bloody well, as it turns out.

In its fifth season, it has captivated a growing number of viewers from across the globe. However, Breaking Bad, a compelling drama series about the travails of a science teacher-turned-crystal meth dealer is just a few episodes away from ending for good, much to the dismay of viewers and critics who have lavished the show with praise.

Eagle-eyed readers of Best For Film may recall that earlier in the week I broke down my ten best reasons for loving Gone with the Wind. Like men and Scarlett O’Hara, however, GWTW and I have a tempestuous relationship: i.e. I love her, but she is a proper bitch. She makes me feel things I don’t want to feel! She’s super racist! She’s incredibly manipulative! She’s horrible to women! She’s really generally unpleasant! Anyway, because of this, it seemed sort of a lie to give you my ten reasons to love it, without my ten reasons to hate it. HERE WE GO.

Right, it’s come to this. We’ve done the then-topical Top 10 Moustaches in film, the semi-libellous Top 10 reasons Ellen Page is a secret lesbian and the unnecessarily Photoshop-heavy Top 10 films that should be reshot with Arnold Schwarzenegger in the title role, and now we’re almost completely out of ideas. On an unrelated note, do you like boxes?

This November, the impossibly iconic 1939 film Gone with the Wind – digitally restored by Warner Bros – will once again appear in cinemas to mark the centenary of Vivien Leigh’s birth. Best For Film’s tribute is a little less flashy but equally heartfelt; in this blog, Ella Risbridger counts down her top ten reasons why (despite it being utterly morally repugnant) she loves Gone with the Wind.