The Rum Diary is an occasionally funny, occasionally madcap film that essentially is neither very funny nor very madcap. Despite the promises of the trailer the film follows a narrative that is conventional and even a tad dull. All in all, it’s a bit of a rum deal. Ahem.
What would happen if the creators of Catfish, Doctor Who and Saw all got together, downed a few pints and then decided to make a film? Why, you’d get Panic Button of course!
In March of 2009 American stockbroker Bernard Lawrence Madoff was sentenced to 150 years in prison for defrauding his investors of some $13 billion. Considering the ever-growing global fury at the financial big-wigs, it shouldn’t surprise anyone that such a brazen act of corporate vandalism has made it to the big screen; what might raise a few eyebrows, however, is that its come in the form of a farcical comedy starring Ben Stiller and Eddie Murphy. Huh.
A lovely lady and her video camera go round the streets of LA and follow the lives of a half dozen homeless across the course of a few years. Hilarity ensues. Wait, it doesn’t? Oh, you mean it’s actually quite depressing? Also a bit uplifting? Well, that sounds worth a watch.
George A. Romero, Godfather of living dead men and big, bad rep behind Night, Day and Dawn of zombie cinema is probably Deadtime Stories‘ sole draw-card, and no doubt the only thing to compel any compos mentis horror fan to suffer through its bore/gorefest ridiculousness.
Alan Tudyk and Tyler Labine are the two most adorable hillbillies ever to buy a dilapidated summer home and then be attacked by a group of perky college kids who believe them to be psycho killers. Funny, touching, gruesome, quirky: if you’ve ever loved us, WATCH THIS MOVIE AND SPREAD THE LOVE.
The wait is over. The moment has finally come. A ski film starring Michael Madsen, Kellan Lutz AND Luke Goss. Well, actually the moment came three years ago, but whatever. The real question is, what is Luke Goss of Eighties band Bros fame doing in this film? And why do people have names like ‘Kellan Lutz’?
Strange, romantic, thoughtful, touching and creepy all at once, this indie oddity from first-time filmmaker Kenton Bartlett was made on a shoestring budget but – one dodgy blonde wig aside – it doesn’t show.
Mark Doherty and Dylan Moran teaming up to try and deal with a house determined to frame them for murder? Yes, please! A farce so dark it’s like a black hole put on some sunglasses because it was hungover. Hungover on Guinness.
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