There’s going to be a Doctor Who movie materialising in cinemas soon, most likely with that weird whoooshing sound effect. Now if they want to do this, it turns out they’re going to need an actor to play the Doctor (we were as shocked as you were). So we thought we’d give the film producers a hand, and let you all know our picks for who would make superb Doctors Whos.

On an unrelated note, he’s in a movie.

Having escaped Cemetary Junction and successfully humoured the flashbacks of a fool, Felicity Jones has finally been promoted to lead burger-flipper in this derivative, predictable and utterly charming amalgam of Bridget Jones‘ self-deprecating humour and Notting Hill‘s transatlantic romance.

Based on the infamous Burke And Hare murders of 1827, Simon Pegg and Andy Serkis provide a darkly silly romp through Edinburgh town aided by every British celebrity you can think of. Go on, think of one. Was it Michael Winner, or Paul Whitehouse? It doesn’t matter, they’re both in there. Though it doesn’t have the cult brilliance of Shaun Of The Dead or the gloriously bizarre sting of The League Of Gentlemen, it’s nevertheless gorily enjoyable stuff and if nothing else, it’s lovely to see Jessica Hynes (neé Stevenson) back on our screens. Not so much good writing as canny use of cameos, Burke and Hare will nevertheless just about satisfy most comedy-loving Brits. After all, who doesn’t love seeing Ronnie Corbett in a funny hat, eh?

Peter Jackson has finally been confirmed as director of the two overdue film adaptations of The Hobbit. As if you didn’t know.

David Tennant to play Bilbo Baggins? Maybe, according to a (quickly deleted) Tweet from his (now ex) Burke and Hare star Simon Pegg, who makes more than one hint at Tennant heading to Middle Earth…

Bill Bailey goes all-out musical in this new DVD, recruiting the entire Albert Hall symphony orchestra to assist him in his mad, amusing rambles. Taking a tour of the entire orchestra, Bailey drags in everything from the sound of trombones, jellyfish, the Doctor Who theme tune, Bach and Motzart. It’s a huge show – easily Bailey’s biggest – and while his trademark wit and surrealism still sparkle, the massive repetition of material sadly bogs down this release.