At Cheat Sheet Villas (it’s a granny flat in the grounds of Best For Film Towers), we’re always on the lookout for stars with a less extravagant public profile than the Britneys and LiLos of the world; then we expose them and shamelessly drag all their secrets into the merciless light of day like squirming vampire children being torn from their coffins. This week, it’s the turn of screenwriter extraordinaire Jane Goldman!
Oh my shit, it’s April! And it’s brought along not only Fools’ Days, sweet spring showers and the prospect of some chinless wonder marrying a Sloane, but also a batch of fresh and steaming new films – some promising, others less so. Stick around as we sift through this month’s cinematic offerings week by week and separate the fresh fish (FRESH FISH, Glen Coco!) from the distinctly murky tuna salad…
How do you know what you’re going to see at the cinema next month? You’re busy people – Facebook won’t update itself, and you’ve probably got a relationship to neglect or something. Oh, you haven’t? Sorry. Well, there’s no point in trying to meet another human adult now, you may as well just read this blog.
A rich, arrogant young British buck let loose in America? Where do they come up with these ideas…
BFF: defenders of the weak, trumpeters of the down-trodden, makers of wild, unsubstantiated claims and lovers of Ben Affleck. That’s right. It’s a heady mix.
What is it that makes Colin Firth, Helen Mirren and Judi Dench so good at playing our monarchs of old? Is it maturity, is it talent or is it just that they all have a crown fetish? From the Sixteenth Century up to the present day, many actors have tried to play royalty, and few have succeeded. Those that have are celebrated here.
As the stage is set for another bloody awful year of Nicolas Cage releasing eight thousand crappy films, we thought we’d take you on a whistle-stop tour back through his entire demented oeuvre since the Millennium. Not suitable for readers who are sensitive to unpleasant hairstyles.
Snipe London
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