Is it time for the lovely relaxing weekend yet? Is it hell; you know the rules, nobody gets to go home until two of Best For Film’s crankiest writers (and none of us boast what you might call a sunny disposition) have it out on a contentious topic. This week it’s dance films; where do you stand?

As a rule, sellout films usually contain a colon and/or a number. We’re looking at you, Speed 2: Cruise Control. Yet, the definition of a ‘sellout’ is tricky, because producers are very good at making shit smell like roses, and before you know it you’re on the set of National Treasure: Book of Secrets. When you see a film and think, ‘what the devil is Globey McOscar doing in this?!’ we’ve got the three reasons behind their decision to sell their soul.

Whether it be Vincent Vega and Mia Wallace breaking it down 1950s style in Pulp Fiction, or Harry and Hermione’s awkward pas de deux in those Potter films, we’ve compiled a list of the top ten dances in movie history. Let their mistakes be your guide to what and what not to do this Friday night down the club.

The Oscar winning director is apaprently all set to direct the Bee Gees biopic as he sees it as “box-office gold”. And I don’t think he’s just talking about their metallic get-up.

Ah Paris. City of love. Known throughout the world for romantic overtures, fine cuisine, star-lit walks and, of course, kick-ass car chases. Director Pierre Morel returns to the scene of previous cinematic crimes for this explosive tour of the capital in the company of two mismatched American agents on a quest to dismantle a terrorist cell. Unfortunately, the terrible script and dodgy casting means that the only love we brought back from Paris was the relief in seeing the ending credits.

Good news for fans of talking babies everywhere: Neal H Moritz, the producer behind such films as Evan Almighty and Not Another Teen Movie, is planning to remake Look Who’s Talking.

If at first you don’t succeed, fail miserably again. Three years after the crass and homophobic comedy Wild Hogs, Robin Williams and John Travolta reunite with director Walt Becker for this chaotic road movie that proves parenting is a lot harder than it looks. So, it would seem, is writing and directing a film that retains a single laugh, because Old Dogs is 88 tortuous minutes of limp gags missing easy targets.

You know what we enjoy doing? Going to the future. We also enjoy going back to the future, but we gotten into copyright problems with that before. The point is, we’ve risked life and limb to discover what films are hitting our screens in upcoming weeks. Don’t ask us how we’ve done it. All we’ll say is that the Wikipedia Towers of the future are a terrifying and overly bear-guarded place. So, should you save our pennies for an upcoming epic, or splurge like there’s no tomorrow on the flicks out now? We’ve got the answers right here.

Ah Paris. City of love. Known throughout the world for romantic overtures, fine cuisine, star-lit walks and, of course, kick-ass car chases. Director Pierre Morel returns to the scene of previous cinematic crimes for this explosive tour of the capital in the company of two mismatched American agents on a quest to dismantle a terrorist cell. Unfortunately, the terrible script and dodgy casting means that the only love we brought back from Paris was the relief in seeing the ending credits.

It’s always nice to stay ahead of the curve, if only so you can feel unneccessarily smug in front of friends and loved ones. With this in mind Best For Film brings you what you need to know about next week’s film releases. Have a read, plan your week accordingly, and practice that lovely self-satisfied smile we all love you for…