If* we ever build a time machine, Adam, we’re going back to 1966 to kick your mum in the stomach. *When

With the release of Transformers: Dark Side of the Moon so, so nearly here, we take a look at some of the best moments from the epic, destiny-ridden films of movie maestro Michael Bay

Big Momma is back for a third joyless excursion into ‘let’s-all-laugh-at-the-silly-black-woman-because-it-doesn’t-count-as-racism’ territory, which now features a second ridiculous fat-suited goon – now with extra rapping!. I hope Martin Lawrence spends his evenings thinking about how he’d be more use to humanity as fertiliser, sobbing onto his immorally inflated bank statements.

Remakes have become the scourge of a Hollywood system starved of creativity and imagination. No sooner has a subtitled film won critical plaudits than there are whispers of an English language retread. A reinterpretation of the Swedish coming of age story Let The Right One In, directed by Matt Reeves (Cloverfield) and re-titled Let Me In, opens in multiplexes this Halloween. Now it seems that British films simply aren’t good enough for audiences across the Atlantic because director Neil LaBute has remade the 2007 comedy of errors, Death At A Funeral, transplanting the action to a middle-class suburb of Los Angeles

It’s Monday morning and we’re not feeling either bright eyed or particularly bushy tailed and there’s only one reason –  the Super Bowl. But it wasn’t the thrilling action of..

Yes, folks, just in case Alvin and the Chipmunks: The Squeakquel wasn’t enough proof for you that the cinematic apocalypse draws near, a director has now been confirmed for a third Big Momma’s House film.