STOP PRESS: Michelle Williams is fabulous in My Week with Marilyn. As she is is literally everything else she’s ever made, ever. By rights, you should know her blood type and preferred cut of underwear by now – and if you don’t, then why are you lingering here and not ploughing straight into this Cheat Sheet? Go! Go!
That’s Charlie and Spike, if you hadn’t already guessed.
Ah, Tim Burton. It seems everyone’s got an opinion on the pseudo-gothic king of whimsical romantic fantasy – whether you worship his early work and abominate Alice in Wonderland, prefer his more straightforward films (Planet of the Apes, anyone?) or just want to see more dead women getting married, it’s hard to stay neutral. With that sentiment ever at the forefront of our minds, we’ve had a bit of a row.
We all love a good book. We all love a good film. But we all hate a bad adaptation. This year, major releases such as Brighton Rock and The Rum Diary (not to mention the final episode of the Harry Potter series), are due to attract big numbers in the box office. But with a plethora of books flying from the shelf to our cinema screens, what makes a good adaptation?
As the stage is set for another bloody awful year of Nicolas Cage releasing eight thousand crappy films, we thought we’d take you on a whistle-stop tour back through his entire demented oeuvre since the Millennium. Not suitable for readers who are sensitive to unpleasant hairstyles.
October is, of course, a time dominated by ghouls, zombies and good ol’ fashioned frightfulness. But with All Hallow’s Eve not falling until the last day of the month, what on Earth are you supposed to do until then? Well you can stop fearing death by boredom and leave your demise to the demons, because here at Best For Film we’ve leapt on the case and compiled some of our favourite film events happening this month. After all, if you’re going to get shocked by skeletons and mauled by monsters, you might as well have some fun first.
The first photo from the much anticipated Jackass 3D has been released!
The film follows the first two hugely successful releases, Jackass: The Movie and Jackass Number 2. With a combined production budget of less than $10 million for both films, the $70 million they each grossed meant that it was only a matter of time before they started shooting a third film.
At least, not always. Films that studios allocate ridiculously bloated publicity budgets to are not always likely to be showered in glowing reviews and critical acclaim. Here we chronicle 2009’s most hyped films, some of which delivered and some that blew up in the studios’ faces big time.
All it took was one weedy little wizard-nerd to make children’s book adaptations the new Hollywood holy grail. Suddenly, studios are scrambling over each other in their quest to create the coolest, most visually stunning, and (most importantly) highest-grossing new book-turned-film. But is this new trend really making kids the kings of the big screen? Or is it just creating a bunch of overly-thought-out tat that’s too advanced for kids, too weird for adults?
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