Remember the golden days of George Lucas? Remember when Zemeckis was coming out with hit after hit? Remember when Tim Burton didn’t just paint everything black and shove his wife into shot? We do. We present the five directors we mourn the hardest – made all the more bitter by the fact that they’re all still alive.
Have you seen Attack the Block yet? You certainly ought to have done, because it’s phenomenally good. It follows, therefore, that at least some of the people involved in it are within a micron of the same degree of good, and – lucky us! – we got to meet pretty much all of them for a lovely chat. Hurrah!
I’ve come here to remake movies and chew gum, and I’m ALL OUT OF GUM
Escape real-life horror this 2011 with the lovely dark thrill of the cinema. We’ve got a grab-bag of the top (nearly) 30 best horror films in 2011, from franchise blockbuster to indie foreign horror. Actually, 28. We had 30 but the last two were rubbish.
If you love horror films and you have at least twenty-four hours to live, then there is absolutely nothing you should be doing more than reading (and subsequently adhering to) this itinerary. How else are you going to know what to watch at six thirty in the morning when you’ve just watched a zombie baby rip someone’s head open?
Some ‘reimaginings’ of classic horror films are truly dire – House of Wax, anyone? – but there are a few examples which have endured just as impressively as their inspirations. So, just in case you haven’t grimaced enough today, it’s our Top 10 horror remakes!
This feature length adaptation of two youtube shorts is visually great, with an immersive world and spectacular effects. A darkly funny take on the legend of Santa Claus, though the film is sadly hampered by crippling pacing issues.
The world of film is awash with Marmite topics – actors, genres or even cinematic styles which make some movie-goers dampen their plush seats and others tear the stuffing from the punter in front. In our J’accuse series, two of Best For Film’s writers go head-to-head and debate a controversial aspect of cinema. This time round it’s the worst nightmare of every indie Japanese director – the Hollywood remake.
Snipe London
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