With Emily Watson in the lead role, Oranges and Sunshine tells the true story of hundreds of thousands of children who were deported to Australia by the British government, and the struggle of one woman to reclaim their identity. Managing to move rather than manipulate, this emotional powerhouse of a drama is undoubtedly the best film I’ve seen in years.

If you’re looking for some kind of ‘bears shit in the woods’ joke, you’re going to have to go elsewhere. Yogi Bear is re-interpreted in this 3D CGI feature, a below-average kids film that is somewhat redeemed by its cute moral tale about the environment. Save the world, man.

First there was Spaced, then there was Shaun of the Dead and Hot Fuzz. Now, from the pen of Simon Pegg and Nick Frost, comes Paul – the ultimate sci-fi geek comedy. Can this comic US road-trip live up to the witty British outings we’re used to seeing from Pegg?

Jeff Bridges’ apparently immovable jaw leads a beautifully crafted three-hander in the Coen Brothers’ True Grit. A confidently gentle pace and sparse backdrop means the focus of this Western re-make is always on the shifting central relationships rather than action- and though this may make for slightly frustrating viewing for shoot-em-up-ride-em-off lovers, the payoff is well worth the (slightly) clippety-cloppety ride.

D’you know what the world needs more of? Formulaic martial arts films with an unfeasibly badass female lead chasing a briefcase full of MacGuffin to an ear-rending soundtrack. Serve me up some more of that, Vietnamese film industry! Oh, you already have? Super.

Producer: “Ok, guys, I’ve had the greatest idea for our new film. So I was watching Fight Club, right, and then I saw Big Fat Gypsy Weddings with the missus, and then I saw Mega Shark versus Giant Octopus. And what did I come up with? Only City boys versus gypos in a countryside war. GET IN.”

Heavy Metal, muscles, blood, and Vinnie Jones. Oh, and tits. Lots of tits. All in slow motion.

A heavy handed portrayal of a brutal true story. Whilst it struggles to lend any real depth to some of its central characters, this offering from writer/director Cyrus Nowrasteh is a powerful depiction that sticks in the mind. Prepare for conspiracy, betrayal, guilt and one of the most horrific on-screen deaths imaginable.

Two households, both alike in dignity/ In fair Verona, where we lay our scene/ From ancient grudge break to new mutiny/ Where civil blood makes civil hands unclean/ From forth the fatal loins of these two foes/ A pair of star-cross’d GNOMES IT’S ALL BLOODY GNOMES AAARGH.

Sinbad and the Minotaur is an Australian film about a mythical Arab wading into Greek legend, and it treats both cultures about as respectfully as you’d expect from a country which used to forcibly rehome Aboriginal children. Under no circumstances whatsoever should you watch it.