3D films – exciting big screen trend or pointless use of technology? This week’s Face/Off swings the spotlight on this re-emerging technique currently embarrassing moviegoers at a cinema near you. Whack on your crazy specs and get ready for one crazy ride as we debate the ins, outs and “Ooh, it’s going to touch my face!”s of 3D.

This year’s Bafta longlist has been announced, with Brit flicks An Education and Moon proving to be strong contenders. An Education is up for best film along with a bevy of acting nominations, including Carey Mulligan for Best Actress.

2009 certainly brought us a few cinematic corkers, from sci-fi epic Avatar to comic-book crunching goodness from Christopher Nolan’s The Dark Knight and Watchmen. But it wasn’t all wham, bam and explosions – will 2010 be a year of smarter movies? Judging this list… maybe.

The nominations for 2010’s Golden Globes award ceremony are in – and there are certainly some surprises.
Everyone’s favourite poor man’s Oscars will take place on January 17 next year, and to give us all adequate jeering and scoffing time, the Hollywood Foreign Press Association today announced their illustrious potential award recipients.

At least, not always. Films that studios allocate ridiculously bloated publicity budgets to are not always likely to be showered in glowing reviews and critical acclaim. Here we chronicle 2009’s most hyped films, some of which delivered and some that blew up in the studios’ faces big time.

Speaking to Channel 4, Avatar’s resident botanist Sigourney Weaver has let slip a few possible (and, if true, pretty major) spoilers concerning the possible third instalment of the Ghostbusters franchise.

It’s a case of all work and no play for Avatar director and all-around blockbuster wizard James Cameron. He’s jumping straight back on the production wagon, developing a new, as yet unannounced sci-fi script for Fox.

CGI effects have revolutionised modern filmmaking to the extent that effects alone can make or break a movie. But is an over-reliance on CGI driving audiences away and cheapening the cinematic experience? We take a look at the computer generated revolution – and how the revolutionaries might soon find themselves in the firing line.