For a while there Pirates 4 was all looking a bit pear-shaped; Orlando had stepped down, Keira walked the plank and it looked like it would be Johnny Depp sailing solo. However, then Penelope Cruz climbed aboard, Ian’s stowed away (we’re rapidly running out of piratey metaphors) and things are generally looking up for team Pirates.
….In his next film, at least. Having turned down the role of Will ‘as boring as a dead crab’ Turner in the new Pirates Of The Caribbean film, we’ve been wondering what will fill the void. And apparently it’ll beplaying a pyschopathic doctor in a new indie film written by Veronica Mars creator John Embom. At least it’ll give him a chance to be upstaged by someone other than Johnny Depp.
Michael Mann’s expertly crafted tale of Depression-era gangster John Dillinger’s final exploits looks good on paper, with standout performances from Johnny Depp and Christian Bale. But it fails to get to the heart of one of America’s craftiest criminals.
It is common across the film industry to see actors and directors cement firm partnerships over the years starring and creating films together. The film Promised Land reunites the award-winning creative team behind Good Will Hunting, with Gus Van Sant and Matt Damon coming together again to create this thought-provoking drama. In celebration of this partnership, we’re looking at some of the most successful actor/director relationships across the history of film.
It’s that time of year again! As the seasons turn, our adamant gaze pierces the mists of the future to tell you what you should be seeing next year. And, as usual, it’s mostly superheroes (not our fault the interesting little indie films don’t publicise themselves a year in advance, is it?). This year’s list is in order of release rather than assumed quality, because we keep putting crap films in the top 5 and then regretting it.
Best For Film’s newest writer Carl Anka demolishes his BFF cherry with an essay on why film comedy has never been, and will never be, as good as it was in the 1980s. Contains borderline-diabetic levels of John Candy.
Is it just us or does it feel like Disney is just a little too damn adamant about bringing song and dance back into picture shows? Now don’t get us..
With Reagan’s biographers being all whiney about The Butler, and Naomi Watts apparently convinced that Princess Di’s been looking down on Watts as she plays her, thinking “Ooh, yes, lovely work there, Naomi,” we thought it was a good time to consider the nature of the biopic. Then we got a bit overwhelmed and decided to just harp on about a few that, for some reason or another, stood out to us.
Recent Comments