Valentine’s Day eh? There’s no getting away from the hatred of it. Either you’re not in a relationship and you’re sick of being reminded of the fact, or you are and you’re sick of being reminded that you’re not the lover you should be. It’s lose/lose. And no number of happy cuddly bears are going to change that. Nothing demonstrates this collective bitterness better than the natural reaction to Valentine’s Day – Garry Marshall’s sugar-coated tale of romance and heartbreak.

For those who can’t quite face the horrors of watching Valentine’s Day on Valentine’s Day, you’ll be glad to know that another option is at hand. Pretty Woman is getting a limited re-release on Valentine’s Day, celebrating 21 years (21 years?!) of moulding women into whatever you want them to be.

Nothing says “ha, you’re alone and I’m not” like the plastic joys of Valentine’s Day. Shops have suddenly been innundated with bears holding bows and arrows (in a non-terrifying way, apparently), DVDs starring Hugh Grant are half-price and if the chocolate you’re eating isn’t red and shaped like one of your organs, you probably don’t deserve to liveD

And so another decade comes to a close. Come with us down memory lane as we recall the snakes-and-ladders-esque ups and downs of Hollywood’s movers and shakers from 2000-2010.

As our economy spirals into the abyss of recession with no hope of returning to good health any time soon, everyone is cutting their budget.It’s the perfect time for Hollywood directors to start economising too. Not on film quality, but on choice of protagonists. Where they can’t afford the original A-lister, there’s a number of cheaper alternatives for them to choose from.

…look, YOU try finding news that isn’t BAFTA BAFTA BAFTA

Why, why, why!?