Demonic horror The Last Exorcism is this week’s top grossing UK film.

Horror film stroke revenge drama Red White and Blue is a dark jewel; a cinematic feast of suspense and sleaze with an ending that, though shot off camera, leaves you speechless. Hell isn’t just you and your weird little brain. Hell is other people…

Jean Reno stars in Richard Berry’s compelling tale of a reformed mobster who must kill or be killed after an assassination attempt. We’re fine with that – in fact, we’d let him use our shirts to wipe the blood from his manly gun and his stubbly cheek – because he is SO DAMN COOL.

Raindance 2010 has announced its lineup; and its certainly going to be an interesting year… We take a look at some of the more controversial choices, and celebrate all that is Raindance!

Liam Neeson is to star in the ridiculous big-screen adaptation of ancient board game Battleships. For Christ’s sake.

The truly exceptional Secret Cinema continues to blow minds with its latest offering. After directing us through a Bedouin desert, a WW1 registration hall and an underground Souk, we were finally led into screening hall to sample the main attraction of the evening; Lawrence Of Arabia. Clocking up seven hours from start to finish it was certainly not a trek for the faint of heart, but with glorious detail, amazing locations and 5000 tea-towelled heads, the Secret Cinema experience was truly like no other.

Jonah Hex is arguably what you’d get if you transposed Van Helsing to 1876 Virginia, stripped every joke and ironic line out of the script, replaced the mediocre CGI vampires with dreadful CGI corpses and then forcefully raped John Malkovich’s reputation with a branding iron. It’s spectacularly awful.

And Sophie thought she had a difficult choice. Starring in the prequel to one of the most successful trilogies in cinematic history, or jaunting about with Benedict Cumberbatch in a new series of the truly brilliant Sherlock? Martin Freeman – how on earth did you decide?

George Clooney’s latest film, gun-toting thriller The American, has taken $20 million in the last week.

At the invitation of the Swedenborg Society, Best For Film is publishing a special series of reviews to follow its ‘Images of the Afterlife in Cinema’ film season, which will be exploring life, death and everything in between. This week it’s the turn of Adrian Lyne’s harrowing supernatural classic Jacob’s Ladder. Hold onto your sanity…