Sixty-five million and ONE, sixty-five million and TWO…

THIS GUY. COME ON. HE’S HOT RIGHT?

Who are you going to call when that guy you murdered returns your axe, your door-handle turns into a penis or you’re saved from near-certain death by your girlfriend’s dog? John Dies At The End may not have the answer, but it does have about a million other equally important questions.

If you thought last month’s Spring Breakers was too avant-garde and provocative, 21 and Over is the film for you. Derivative, predictable and crass rather than controversial, the latest film from the creators of The Hangover is just like the last one, only this time there’s a buffalo. A BUFFALO.

Filmmaking’s creator of magic and wonder, Ray Harryhausen, died in London yesterday of natural causes aged 92. Harryhausen revolutionised animation, creating some of the most iconic and well loved mythical..

Rob Zombie used to be in a band called White Zombie, and then a band called Rob Zombie, and also he once did a duet with Lionel Ritchie. But now he’s a serious filmmaker who’s proven himself as one of the most interesting and uncompromising horror directors working today. The Devil’s Rejects and his remake of Halloween were divisive but fiercely individual, and now he’s made his most accomplished and personal film to date

He’ll be getting his Jesuit priest on.

Please Disney, LET ME GOOOOO

It’s 90 seconds of nothing. So it’s like a microcosm of the endless void of space, then

Let The Right One In director Tomas Alfredson has taken the helm of the new adaptation of The Brothers Lionheart – frankly, we’re just staggered by the fact that not one but two separate studios have wanted to introduce new generations of kids to Astrid Lindgren’s deeply odd classic. The Wikipedia entry for the first film notes, gravely, that it is “softened a bit [from the book] and does not explicitly show the brothers committing suicide”, which probably tells you all you need to know. In dubious celebration of Alfredson’s odd career choices, we’ve collected ten other children’s books that should never have been committed to celluloid.