Music in film is a bloody good thing, but too often it’s just used as an ambient curtain in the background so you’re not sitting in a cinema listening to silence. Because silence is scary. Sometimes, however, music is an actual plot point, and here are some top notch examples.
If time travel is ever made possible (spoiler! It won’t be) we’d like to think that we could overcome our urges to start messing around with the fabric of reality. We certainly wouldn’t be tempted to do anything noble, where you try to avert a tragedy and save gazillions of lives, like killing Baby Hitler. No, no, here at Best For Film it’s likely our motives would be much more base. Winning the lottery comes to mind. Or going back 5 minutes and scratching our backs in juuust the right place.
You watch a film where it goes from beginning to end, with no flashbacks at all, and you call yourself a hardened movie fan? Shame on you! It’s all about jumping through the plot, a little like dropping a needle at random on an old vinyl to see what plays next. It’s sudden, it’s fractured, it’s completely confusing… it’s sometimes a bit gimmicky. But, oh my, how we love a clock that tock ticks rather than tick tocks!
Can he reboot his career without a flux capacitor?
Snovember? Don’t make me laugh! We put things in perspective with the help of Hollywood and disaster master Roland Emmerich. Yes the Metropolitan Line’s suffering slight delays but it’ll all melt eventually, right? Right?!
“It is better,” said the essayist and moralist Joseph Joubert, “to debate a question without settling it than to settle a question without debating it.” In the spirit of such a great man that we just found out about on Wikipedia, we present you, gentle reader, with the first in what may well be a series of debates on the state of modern film.
Snipe London
Recent Comments