Remember the golden days of George Lucas? Remember when Zemeckis was coming out with hit after hit? Remember when Tim Burton didn’t just paint everything black and shove his wife into shot? We do. We present the five directors we mourn the hardest – made all the more bitter by the fact that they’re all still alive.
Nightmare Movies: Horror On Screen Since the 1960s is the third edition in what has come to be regarded as a “true classic of cult film criticism”. Published in 1985, the original Nightmare Movies was an essential guide to contemporary horror, and, twenty years later, the newest edition is just as indispensible for today’s discerning horror enthusiast.
I’ve come here to remake movies and chew gum, and I’m ALL OUT OF GUM
If you love horror films and you have at least twenty-four hours to live, then there is absolutely nothing you should be doing more than reading (and subsequently adhering to) this itinerary. How else are you going to know what to watch at six thirty in the morning when you’ve just watched a zombie baby rip someone’s head open?
Nothing groundbreaking or awe-inspiring to be seen here, but John Carpenter being just okay is still better than no John Carpenter at all. Flimsy plot and performances, but what you’re forking over for is the shocks, and he still delivers better than most. Will leave you thinking, “Come on, John… let’s next time get our hands REALLY dirty.”
Master of horror John Carpenter has his first film for years arriving in January with supernatural chiller The Ward. We take a look back at the legendary director’s finest moments, to celebrate a career including some genre icons, a few cult classics and more than a few scares.
The world of film is awash with Marmite topics – actors, genres or even cinematic styles which make some movie-goers dampen their plush seats and others tear the stuffing from the punter in front. In our J’accuse series, two of Best For Film’s writers go head-to-head and debate a controversial aspect of cinema. This time round it’s the worst nightmare of every indie Japanese director – the Hollywood remake.
How do you judge the greatest horror film ever made? Is it how near you come to running out the room, sweating? Is it the intensity of the nightmares that follow? Or is it the film that sparks off agorophobia? If that is the criteria, then Big Momma’s House gets my vote.
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