StudioCanal are re-releasing Jean Renoir’s finest hour back into cinemas, in honour of it’s 75th birthday. Do yourself a huge favour and go; this comic gem is as relevant as it’s ever been.

Teenage angst breaches new yet surprisingly dull territory in this pretentious thriller set in an East Coast prep school. Afterschool provides a hundred solid minutes of tedious indie art as we explore awkward social situations and drug abuse, all through one too many lingering back-of-head shots.

Uncalled for reissue of lengthy, vanilla flavoured telling of Cinderella, most famous for being mocked as David Frost’s pet project in Frost/ Nixon. Nice outfits, all the same.

Slice-of-life documentaries are all well and good, but life can be horribly mundane and depressing sometimes. Sadly, Sound It Out‘s plea to save a record store and Britain’s ailing music industry will leave you wanting to chuck all your vinyl into a landfill.

There is something exquisitely beautiful about the quiet desperation of a broken heart. The Well-Digger’s Daughter captures this sorrow perfectly; from the excitement of the first meeting to the moment a young girl gives everything away for love, this picturesque period drama promises to captivate any audience.

Despite its high-octane NEESON WOLVES NEESON WOLVES NEESON NEESON WOLVES trailer, The Grey isn’t actually about wolves. Not really. There are wolves in it, sure, but they’re what the film is about in the same sort of way that King Kong is about Jack Black. Which is probably why it’s really rather good.

Michael Truman’s Go to Blazes (1962) is celebrating its 50th anniversary! What could be a better way to celebrate than with an exclusive screening at the BFI Southbank? But, before you hit up the London Comedy Film Festival on January 29th, check out what we have to say about this glorious old-school flick…

We didn’t expect much from a film starring a wrestler. But we did expect a film starring a lady wrestler to not be relentlessly sexist. WELL SUE US FOR SHOWING A LITTLE OPTIMISM.

Tomer Sisley returns as reluctant global business tycoon Largo Winch. Split over two timelines, set three years apart, The Burma Conspiracy breaks from the norm as it is nether a prequel or a sequel, but one of those inter-quels you’ve heard so little about.

Underworld is back, and having tempted Kate Beckinsale back into the franchise’s trademark catsuit it isn’t long before she is jumping off of really tall buildings only to land silently as though nothing has changed. While this might still constitute somewhat of a return to form for the series, however, we are still left wondering how exactly it earned one sequel, let alone three.