Considered by many to be the last great British film of the ’90s, Human Traffic is an endearingly honest depiction of a weekend in the lives of five pill-popping twentysomethings. Credited with launching the careers of John Simm (Life on Mars) and much-maligned ‘mockney’ Danny Dyer, Human Traffic manages to capture the zeitgeist of the rave scene to perfection.

Clash of the Titans is a remake of the 1981 classic of the same name, and tells the tale of the legendary Greek hero Perseus. Perseus (Sam Worthington) is the son of Zeus, but he’s been living the life of a fisherman down on Earth, unaware of his divine heritage. Perseus’ adopted family are killed by the evil god Hades and he vows revenge. Hades tells the King of Argos that unless he sacrifices his daughter Andromache to the gods, the Kraken will destroy the city, so Perseus and a rag-tag bunch of misfits set off on a quest to find three legendary witches who can tell them how to defeat the monster.

Edward Norton, an office worker unfulfilled by the monotomy of modern life teams up with the dynamic Tyler Durden (Brad Pitt) a soap salesman. Together they embark on a journey of illegal boxing, civil disobedience and ultimately the destruction of modern corporate society. But the real question that needs to be asked is; who really is Tyler Durden?

Richard E. Grant and Paul McGann star in this cult classic about two actors who go on holiday “by mistake”. Unemployed actors Withnail (Grant) and “I” (McGann) escape their 1960s Camden flat for a much-needed holiday in the countryside. However they soon discover that the country is just as, if not more stressful than living in London.

Rec, The Ring, Let The Right One In, the list goes on. Foreign horror films always seem to know how to get the adrenaline going and the new French sick flick Martyrs is no exception. The film is based around Lucie, an abused orphan (this is the first clue that the film is going to be uncomfortable viewing) who, along with her childhood friend Anna look for revenge on her past tormentors. The tormentors seem to be, on the outside, a regular suburban couple and you start to think Lucie has made a mistake. Lucie kills the couple and their children as well as her taking her own life, leaving Anna behind.

An undeniably bleak snapshot of adolescence in ‘Broken Britain’, the critically acclaimed and BAFTA award-winning Fish Tank is a thoroughly captivating experience from start to finish. Centred upon the character of Mia Williams, Fish Tank offers much more than the usual gritty portrayal of teenage life in urban Britain.

Foul-mouthed and gleefully violent, Perrier’s Bounty is an edgy black comedy about one man’s turbulent journey through the lawless streets of Dublin. Scripted by award-winning playwright Mark O’Rowe (Intermission, Boy A) and punctuated with scenes of torture, Ian Fitzgibbon’s film is not for the faint of heart or easily offended. Animal lovers will certainly have to avert their eyes when a pair of beloved dogs suffer an inglorious fate at the hands of the eponymous gangster.

Paul Greengrass’s The Green Zone centres on one of the fundemental questions surrounding the Iraq war – When American and British forces withdraw completely from Iraq – a military strategy which seems unthinkable seven years into the campaign – will the lasting legacy be peace and democracy? Or will it will be a deep-rooted suspicion that the infamous weapons of mass destruction, the supposed justification for the invasion, never existed? It’s an interesting question, though the answers behind it are perhaps just a little too easy.

We join Harry (Daniel Radcliffe) and the gang in the sixth instalment of J. K Rowling’s seven part story of sorcerers and spells. Lord Voldermort has returned in full glory and both the wizarding world and the muggle world are in turmoil.

Based on two memoirs set more than 50 years apart it’s a story about self-discovery, relationships, the art of French cuisine and how to boil the perfect egg. We cut between the 1950’s and 2002 where Meryl Strepe and Amy Adams show us the way around a kitchen and how food can make or break a relationship.