An undeniably bleak snapshot of adolescence in ‘Broken Britain’, the critically acclaimed and BAFTA award-winning Fish Tank is a thoroughly captivating experience from start to finish. Centred upon the character of Mia Williams, Fish Tank offers much more than the usual gritty portrayal of teenage life in urban Britain.

If at first you don’t succeed, fail miserably again. Three years after the crass and homophobic comedy Wild Hogs, Robin Williams and John Travolta reunite with director Walt Becker for this chaotic road movie that proves parenting is a lot harder than it looks. So, it would seem, is writing and directing a film that retains a single laugh, because Old Dogs is 88 tortuous minutes of limp gags missing easy targets.

Jim Carrey and Ewan McGregor – two great actors that have been somewhat off the radar of late. We’re glad to announced that in uniting in black comedy I Love You Phillip Morris they both show that they’re far from out for the count. But, though it’s McGregor who nabs the titular charcacter, Carrey is the one who steals the show.

Jen wasn’t the only one who felt strapped to her seat whilst experiencing The Bounty Hunter. Joyless, clichéd and hackneyed, we never want to watch Gerard Butler in a rom-com again. Do you hear us Gerard? Do you?

We join Harry (Daniel Radcliffe) and the gang in the sixth instalment of J. K Rowling’s seven part story of sorcerers and spells. Lord Voldermort has returned in full glory and both the wizarding world and the muggle world are in turmoil.

Based on two memoirs set more than 50 years apart it’s a story about self-discovery, relationships, the art of French cuisine and how to boil the perfect egg. We cut between the 1950’s and 2002 where Meryl Strepe and Amy Adams show us the way around a kitchen and how food can make or break a relationship.

After the gross exercise in smug self-indulgence that was Kill Bill and the sadly inconsequential tackiness of Death Proof, Quentin Tarantino looks to be back on form in the utterly demented joy that is Inglourious Basterds.

Zombieland comes lurching out of the same genre as that of 2004’s Shaun of the Dead, a film which set the bar for the zomcom, and it set it pretty high. Luckily, Zombieland has still got enough going for it to compare favorably with the yardstick.

Kids, eh? Snorting, slurping, farting, chewing little bundles of joy that they are. Motherhood explores a day in the life of a typical Noo York mom, as she attempts to juggle her responsibilities as well as write a piece that explains ‘what motherhood means to her’. Sound a little schmaltzy? Yeah. It is. Uma Thurman natural charm almost saves this piece, but at the end of the day it’s a little to wrapped up itself to be memorable.

The Fourth Kind has been endlessly marketed as the next big thing in the docu-drama niche, touting its real-to-life credentials with all the po-faced gravitas of a clinically depressed geography teacher. A cursory glance, let alone a detailed investigation, is all you need to discover that somebody, somewhere, is covering up the truth regarding their background material…