Articles Posted in the " Film Reviews " Category

  • Six Bend Trap

    When the first five minutes of a film accost the vision with a panning shot of flying penises, quick work is made of ascertaining the depths to which the remaining two hours will inevitably descend.


  • Passenger Side

    A strangely beguiling mixture of character piece and road movie and that never leaves the city, Passenger Side is a warm and surprisingly poignant low-fi gem. A slew of cameos prop up two outstanding lead performances as director Matt Bissonnette announces himself as one to watch.


  • The Resident

    There are two things that epitomise a Hammer film: a distinctively poignant visual style and a plot whose direction is deciphered within the first twenty minutes. In these two respects, The Resident is bona fide Hammer at its idiosyncratic best.


  • Hall Pass

    The wives of two sex-obsessed men get so fed up with their husbands leering at other women that they give them a hall pass – a week off marriage to..


  • Potiche

    Potiche is the French word for a vase or ornament of superficial beauty and little real value. Idiomatically, it refers to a trophy wife – a pretty, inoffensive girl who’ll sit on her shelf and not cause any trouble. Mischievous satirical prankster François Ozon directs the magnificent Catherine Deneuve in a hilarious and savvy tale of one trophy wife who simply won’t stay in the cabinet.


  • City Island

    City Island, home to the Rizzo family, is part of the Bronx; a small spit of land jutting out into Long Island Sound. Garcia’s character Vince Rizzo lets us in..


  • Ballast

    The debut movie from director of Lance Hammer won both the Directing and Cinematogrpahy Awards at the Sundance Film Festival in 2008 – and there’s a reason. Beautiful direction and brilliant performances from its three lead actors (all amateur) ensure a film of smouldering beauty, centring on an estranged Mississippi family racked with grief.


  • The Company Men

    Recessions are rubbish, that’s pretty much a given. However, there is one distinct upside to the spectacular financial crash which has bankrupted and disenfranchised millions in the last four years; some really bloody good films have come out of it. We’ve had Up in the Air, Inside Job – and now The Company Men, which will make you empathise with a hugely well-paid executive more than you would have thought possible.


  • Island

    Described by debut filmmakers Brek Taylor and Elizabeth Mitchell as a ‘fairytale thriller’, Island sees a young woman journey to a distant Scottish island to seek vengeance for a lifetime of neglect. What results is a brilliant and ambiguous drama played out against the stunning backdrop of remote and rural Scotland.


  • Norwegian Wood

    Director Anh Hung Tran adapts Haruki Murakami’s bestseller into an entrancing vision of teenage angst. Drawn together by a shared tragedy two young people forge a painful and potentially destructive bond in 1960s Tokyo.