A well-made, satisfying and properly scary ghost story, The Woman In Black shamelessly indulges all the gothic tropes we’ve been bored of for years and is all the more refreshing for it. Daniel Radcliffe doesn’t quite engage with the scenes where he’s doing anything except walking slowly down a candlelit hallway, but to be honest the edge of your seat will be grateful for the occasional moments of respite.

There is something exquisitely beautiful about the quiet desperation of a broken heart. The Well-Digger’s Daughter captures this sorrow perfectly; from the excitement of the first meeting to the moment a young girl gives everything away for love, this picturesque period drama promises to captivate any audience.

Another found footage film? Really? About some teenagers who unexpectedly develop superpowers? You may be struggling to decide whether this is more shamelessly ripped off from Misfits or Jumper, but Josh Trank’s slick and brooding feature debut is very much an original. You’ll believe a nerd can fly…

Despite its high-octane NEESON WOLVES NEESON WOLVES NEESON NEESON WOLVES trailer, The Grey isn’t actually about wolves. Not really. There are wolves in it, sure, but they’re what the film is about in the same sort of way that King Kong is about Jack Black. Which is probably why it’s really rather good.

Michael Truman’s Go to Blazes (1962) is celebrating its 50th anniversary! What could be a better way to celebrate than with an exclusive screening at the BFI Southbank? But, before you hit up the London Comedy Film Festival on January 29th, check out what we have to say about this glorious old-school flick…

First-time writer Alix Delaporte and scintillating star Clotilde Hesme bring a delicate grace to this unconventional love story set in rural Normandy. Who knew a romance between a skinny ex-con and a balding, middle-aged fisherman could be so touching? Not the fisherman, certainly.

We didn’t expect much from a film starring a wrestler. But we did expect a film starring a lady wrestler to not be relentlessly sexist. WELL SUE US FOR SHOWING A LITTLE OPTIMISM.

Even DiCaprio’s firmest putting-on-glasses-then-taking-off-glasses can’t puncture this thick, bland-tastic portrait of the man who started the the FBI. Sexuality scandals, deep-rooted mummy issues, a hatred for Martin Luther King and loads and loads of holding guns – how on earth did Clint Eastwood manage to make this chap so dull?

Paolo Sorrentino’s last film, Il Divo, was a tour-de-force, an inventive, intelligent and witty semi-biopic of Italian political titan Giulio Andreotti that took Cannes by storm. The follow up is also intelligent, witty and inventive. It’s also deeply irritating, uneven and unlikeable. Shame.

Tomer Sisley returns as reluctant global business tycoon Largo Winch. Split over two timelines, set three years apart, The Burma Conspiracy breaks from the norm as it is nether a prequel or a sequel, but one of those inter-quels you’ve heard so little about.