As Todd Phillips insists on telling each of us, personally, on an hourly basis, The Hangover was the highest-grossing R-rated comedy of all time. And if people enjoyed watching irresponsible men wander around a dangerous city carrying a baby and looking for their possibly dead friend two years ago, then why wouldn’t they love seeing exactly the same thing again? With a monkey!

Psalm 21 seems to be a film that was born after someone discovered a new button on Adobe After Effects: the scary grey face button. After finding this fun new special effect, the filmmakers then crowbarred the plot around it; oh, it’s a film about the evils of religion? No problem, we can give people scary grey faces and it will be a metaphor or something.

Scary twins drive their classmates to suicide in Antonio Negret’s above-average horror/mystery; a film whose few dashes of originality allow it to remain more interesting than its limited release suggests.

1976 was kinda a big deal. Steve Jobs formed the Apple computer company, The Ramones released their first album, Big Ben stopped working, and the world saw the release of Storm Boy. Wait, what do you mean you’ve never heard of it? You sir, are missing out (sort of).

Floating castles, sky pirates and magical stones. All in a days work for Studio Ghibli. Another classic Japanese animation, you say? Well, don’t mind if I do.

Character actor and film demi-god Paul Giamatti is in fine form in this indie tragi-comedy about selfish and selfless acts in suburbia. But was it a Win-Win or a Meh-Meh?

Before Vidal Sassoon pioneered the wash-and-go style we all know and love, women would generally go to the salon once a week to have their hair tweaked and set. Vidal broke a generation of women free from these shackles and made them look fabulous while doing so – sure it’s a story that deserves to be story told, but a 90 minute interview seems a little indulgent.

Three men decide to make a quick getaway by using the tunnels underneath the city taking three hostages with them for collateral. They thought they were the bad guys. That is until the met Trackman…

Mutiny, death and philosophy on the high seas in this two-part made-for-TV adaptation of Jack London’s 1906 novel The Sea Wolf. Helped by an impressive cast and a faithful transposition of the original text’s deeply psychological and political themes, Sea Wolf is a bloody and tense maritime drama that delivers a lot more than you’d expect from the average period adaptation.

Managing to be refreshing yet wearyingly familiar at the same time, Bridesmaids is your typical Apatow fodder: funny, crude, jolly and entirely disposable, only this time it’s with WOMEN WOMEN BLOOMIN WELL WOMEN.