Zombieland comes lurching out of the same genre as that of 2004’s Shaun of the Dead, a film which set the bar for the zomcom, and it set it pretty high. Luckily, Zombieland has still got enough going for it to compare favorably with the yardstick.

The Fourth Kind has been endlessly marketed as the next big thing in the docu-drama niche, touting its real-to-life credentials with all the po-faced gravitas of a clinically depressed geography teacher. A cursory glance, let alone a detailed investigation, is all you need to discover that somebody, somewhere, is covering up the truth regarding their background material…

It’s always refreshing when a thinking person’s rom-com comes around. An Education is not only beautifully constructed, but with wonderful performances, a tight script and questions of love that are difficult to wriggle out of, it’s a film that really grips its audience. Charming, sleek and funny, it’s hard not to be won over by this twisted romance. Just be careful, if we’ve learnt anything, its the danger of the power of seduction.

A small-time crook is given a week to rustle up the money he owes to a serious big fish, or else his loved one gets it. It’s not exactly a premise of shocking originality, but Dead Man Running is a perfectly enjoyable beat-em-up ask-em-later romp that will satisfy those just looking for a bit of fun, innit gunva.

You know Ireland? That place where everyone dresses in green, the only drink available is Guiness, everyone is very sure (to be sure, to be sure), and where if you look a flame-headed man in the eye, you’re libel fer a beatin? No, us neither. As that place exists only in the minds of cigar-toting, fleshy eyed Hollywood executives. And now, also in Leap Year. Hoi ti toy ti toy.

Valentine’s Day eh? There’s no getting away from the hatred of it. Either you’re not in a relationship and you’re sick of being reminded of the fact, or you are and you’re sick of being reminded that you’re not the lover you should be. It’s lose/lose. And no number of happy cuddly bears are going to change that. Nothing demonstrates this collective bitterness better than the natural reaction to Valentine’s Day – Garry Marshall’s sugar-coated tale of romance and heartbreak.

Surrogates shows us a bleak vision of the future (seriously, is there any other type of future according to films?) in which people have the power to create flawless robot versions of themselves. Why, you may ask? Well that’s not really the point, is it? Cos it’s cool. This film explores – with predictable pessimism – a future in which our lives are controlled by machines. And though it’s a little dull in terms of overall message, this is still good, Bruce-Willis-based fun, ensuring you 88 minutes of non-stop action.

The Firm is a re-make of a classic TV film of the same name, originally directed by Alan Clarke for the BBC. Not only was it critically acclaimed, but it also Gary Oldman his springboard into stardom. Well done all round, we’re sure you’d agree. So could this re-make push the accolade of the original? Considering the director is Nick Love, a man well versed in football hooliganism having directed both The Football Factory and The Business, we went into this rather optimistically. The result? A well paced, humourous and action-filled hooligan romp which is well worth a watch, without really adding anything new to the original

Brad Pitt and Cate Blanchett star in the tale of a man who grows younger. Based on a 1922 short story by F Scott Fitzgerald, The Curious Case Of Benjamin..

Based on the novel of the same name, The Time Traveler’s Wife explores a sometime traditional love story in a very untraditional way. It centes on the lives of two people ‘fated’ to be together, but one is plagued by a (very) rare disease; that he randomly jumps through time, so that their relationship is fundamentally fragmented, heartbreaking and frankly, very, very confusing.