Latest articles

  • Man joins cast

    Jackie Earle Haley (you know, from that 1976 classic The Bad News Bears and its seminal sequel The Bad News Bears Go to Japan) signs on to play Maddox in Robocop






  • Friday Drinking Game #52 – Batman

    Where were you at 6am this morning? Queuing up to be one of the first people in the UK to see The Dark Knight Rises at the IMAX? Sounds like that level of commitment to the caped crusader deserves a drink. Or two. Or three. Or a whole liverful of drinks dedicated to Batman in this week’s Friday Drinking Game…


  • Cocktail

    A Bollywood romp around the West End, Cocktail is far more style than substance – glossy London cityscapes, an incredible soundtrack and staggeringly attractive characters abound while the Indian family dynamic, as always, lends a heartwarming core to a tale as old as time. Unfortunately, despite their best efforts, it’s impossible to ignore that Cocktail is actually completely mental.


  • The Tunnel

    Before getting stuck into the gritty details of the plot, it might be best to tell you something about the back story to this film first. No, it isn’t ‘based..


  • Interview! We talk to Interview with a Hitman star Luke Goss

    You’d be forgiven for associating the name “Luke Goss” solely with 80s boy band Bros, of which he was a founding member. Yes, for six glorious years, Bros was the place to be for denim jackets, sexy twins, pop anthems and haircuts you could set your watch to. But all eighties fluff aside, Luke Goss has actually spent the larger part of his career carving out a name for himself as an actor. Working largely stateside, Goss has clocked up an impressive thirty films since 2000 appearing most notably in two Guillermo del Toro films, Blade II and Hellboy II: The Golden Army. But new Brit release Interview with a Hitman marks a return to the spotlight as well as the UK. We checked in with Luke to catch up on all the latest Goss. Ahem.


  • Revenge of the Electric Car

    It’s horrendously risky, being a documentary filmmaker. Sometimes, if you’re Ondi Timoner, you’re lucky – or smart – enough to be around when a humdrum subject becomes something more vital: case in point, a documentary about the LA rock scene becoming the ultimate study in self-destruction and ego, DiG! But it can’t always work out that way. Sometimes, you start off making a documentary about the resurgence of interest in electric cars, and you very, VERY nearly end up with the ultimate study on the futility of hope.